主演：吕颂贤,苏志威,汤宝如,骆英均,关映壁,杜大伟
导演：吕嘉华
简介：杀人重犯——欢姐逃狱了！一班潜伏已久、令人闻风丧胆的劫匪打算联手再度行劫！.....一连串消息使警方紧急部署追捕工作。CID李兵接到任务唯有暂时放弃跟吴辉师傅学习功夫。吴辉心里纳闷小齐和李兵两师兄弟为何同时没来练习......接获线报，警方集中大批警力布下天罗地网等待欢姐众匪的自投罗网......李兵在围捕行动中与众匪展开激烈枪战，一身手极好的劫匪从李兵手中逃脱，李兵与之交手时发现其身手似曾相识，此时乌黑的枪口已指着他的头......对手是谁？能否将欢姐伏法能否将众匪打尽？黑白间演绎人性！正邪对决即将展开
主演：内详
导演：李娴娟
简介：电影名《兵演兵》导演：李娴娟(总) 王程帆 李希强 周刚 郭谨良主演：地区：中国大陆分类：戏曲片上映：1991年1月1日纪录了中国人民解放军1990年全军业余文艺汇演的部分优秀节目，其中有南京军区的，总参、二炮、兰州军区代表队合演的唢呐三重奏《朝阳沟》选段，总后的女声独唱《唐古拉的风》，成都军区的舞蹈，北京军区齐海霞的女声独唱《兵之歌》。沈阳军区郭其富、李智敏的对口相声《接雷锋》。海军代表队的歌伴舞《山里来的水兵》，南京军区的表演唱《咱们的马连长》，总参王红涛的女声演唱《南腔北调》，广州军区的相声《文明值勤》，二炮的表演唱《我跟祖国一二一》，总后的表演唱，二炮的《电视管理员》，总参的女声二重唱，北京军区的男声二重唱，总参的独舞《工地...本台记者报道：昨天（10.22）上午，省会“征兵宣传日”活动在人民广场举行。1000多名适龄青年及家长和各界群众前来咨询今年的征兵政策和条件。省军区政委张连仁少将在活动仪式上讲话。他说，依法服兵役是《宪法》赋予每位公民的光荣义务，广大适龄青年要积极响应祖国召唤，踊跃报名应征。广大家长要以国家利益为重，舍小家、顾大家，积极支持子女参军入伍、报效祖国。市委书记、市长、市征兵工作领导小组组长吴显国表示，征兵工作是加强国防和军队建设的基础工程，必须站在加速推进社会主义现代化的历史进程，构建社会主义和谐社会，实现中华民族伟大复兴的高度，全力以赴地做好征兵工作。吴显国指出，各级政府要加强组织领导，兵役机关要充分发挥职能作用，有关部门要积极配合，为征兵工作提供强有力的组织保证。要采取多种形式，迅速掀起征兵宣传的高潮，大力营造“国防义务、人人有责”、“一人参军、全家光荣”的良好氛围，激励广大适龄青年的参军报国热情。活动之后，军地文艺工作者同台表演了舞蹈《兵演兵》等精彩的文艺节目，省、市军地领导向适龄青年发放了征兵宣传资料。
主演：莎莉·菲尔德,马克思·格林菲尔德,贝丝·比厄,温迪·麦丽登·康薇,斯蒂芬·鲁特,伊莉莎白·里瑟,娜塔莎·雷昂,泰恩·黛莉,彼得·盖勒,库梅尔·南贾尼
导演：迈克尔·肖沃特
简介：年逾花甲的多蕾丝仍旧有著一颗渴望爱情的少女心，在一场自助会中她遇到了年轻的白马王子！年龄不是问题，多蕾丝决定为了她的真爱展开追爱行动！
主演：Alexandre,Arquillière,Jackie,Monnier,恩里克·里贝罗,Diana,Hart,雅克·贝克
导演：让·雷诺阿,Jean,Renoir
简介：Claudie, a young French woman, inherits her uncle's property in Algeria, much to the disappointment of her scheming cousins Diane and Manuel. On the ferry she meets and falls for Pierre, an idle young man who has squandered his inheritance and is on his way to beg from Christian, his rich but rough-and-ready uncle, who owns a neighbouring farm to Claudie's. Made to work on the farm by Christian as a loan condition, Pierre is soon a changed man, and proposes to Claudie. But when his Arab friend Zoubir invites the Europeans on a hunting party, Diane and Manuel see their chance to move against their cousin.
主演：松田优作,藤谷美和子,小林薰,笠智众
导演：森田芳光
简介：20世纪初的日本，毕业于东京帝国大学的长井代助（松田优作 饰）家境优渥，全然不曾为金钱烦恼。他终日周游玩乐，过着悠闲自在的高等无业游民的生活。与之相对，和长井相交多年的好友平冈常次郎（小林薰 饰）生活拮据，妻子三千代（藤谷美和子 饰）孕期患上心脏病，未出生的孩子更不幸夭折。承受巨大压力的平冈破罐破摔，流连烟花场所。生计日益紧迫的同时，夫妻情分名存实亡。三千代是长井、平冈大学时代亡友菅沼（风间杜夫 饰）的妹妹，此去经年，始终未婚的长井依然对三千代持有深深的爱慕，他同情对方的境遇，但碍于道德的束缚只能将炽烈的情感深锁心底。深爱无缘，百千心结何处搁置……本片根据夏目漱石的同名原作改编。
主演：内详
导演：居伊·德波
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演：胡立欧·查韦斯,玛莉亚·奥内托,María,Ucedo,Inés,Molina,Arturo,Goetz
导演：艾瑞尔·罗特
简介：2007柏林电影节评审团奖。讲述一个变换身份的神秘人的故事。像往常一样，某天去另一个国家出差，却变成了另一段旅程的开始：当他到达他的目的地时，Juan Desouza发现他身边一位男子已经死亡。鬼使神差的，像进入一个游戏世界一样，他决定用这个人的身份，为自己找一份工作，找一个地方栖身，并且不希望回到过去的生活。在他的这种新生活里，在可能的状态下，在没有目的的情况下，这个男人开始了一段探寻本性的冒险。为了重新发现他的人生观，他用自己最基本的本能，试图领悟他对生活的理解。对他来说，他选择什么生活，他为什么活着，绝不是只有一种可能。此片由德法与阿根廷合拍，艾瑞尔-罗特为阿根廷青年导演兼编剧，继2001年推出《Sólo por hoy》(生活在他方)后，此次艾瑞尔-罗特带着《El otro》再次来到柏林。该片其导演的第二部作品。Julio Chávez曾凭借在玛莉亚.卢萨.贝姆1982年执导的文艺片《Senora de nadie》(无丈妻身)，在巴拿马影展中获得最佳女演员奖，该片堪称八十年代阿根廷电影的经典之作。其出演的影片《守护者》是56届柏林电影节参展影片。
主演：Thandie,Newton,马克·沃尔伯格,Mark,Wahlberg,蒂姆·罗宾斯,Tim,Robbins
导演：乔纳森·戴米
简介：一次偶然中，雷吉纳（桑迪·牛顿 Thandie Newton 饰）邂逅了名为查理（斯蒂芬·迪兰 Stephen Dillane 饰）的男子，两人很快就坠入了爱河，并且决定携手步入婚姻的殿堂。可新婚的甜蜜劲过去之后，雷吉纳发现查理是一个背负了许多秘密的男人，这个整天躺在自己身边的男人，自己或许对他毫不了解。于是，雷吉纳决定去旅行散心，顺便思考一下自己的这段草率的婚姻。可是，当雷吉纳返回巴黎住所后，等待着她的并非查理，而是空空如也的房间，以及自称是查理同伴的三个陌生人。三人告诉雷吉纳，查理手上拿着本该和他们平分的一大笔钱，如今查理失踪了，身为他的妻子，雷吉纳有责任供出这笔钱的下落。
主演：方伟杰,蔡承峻,李光明,林圣宇,黄汉斌,吴国江,朱厚任,那广子,王朔,朱颜曼滋,陈传之
导演：郑斌辉
简介：少年篮球好手碰上高他一个头的对手。一个来自新加坡，一个来自中国。两人初次见面，八字不合，拼了命、一较高低；除了比身高比球艺之外，还有身份认同及社会归属感。少年之间，自然存在着竞争和互相排斥，但也从中培养深厚友谊。新加坡一位篮球界大腕，重金引进中国具备甲组球队水平、高素质的少年球苗，并安排所有球员接受为期两年的重点职业球员训练。他们立志要提高新加坡篮球水准，为篮球界注入新动力，希望能栽培出“下一个姚明”。一支新苗队，如何准备上场应战？适者生存的世界里，初生之犊怎么面对成年人的压力？ 不同背景、不同国籍的年轻人，经过三场激烈竞赛后，终于发现友情比战情和国情都更为可贵……本片改编自真人真事。
主演：刘青云,林熙蕾,阎清,谷祖琳,曾雅琪,黄文慧
导演：韦家辉
简介：1998年11月11日，汤有亮（刘青云 饰）一家游玩途中遭遇严重车祸，汤当场身亡，妻子程希文（林熙蕾 饰）和一双儿女侥幸逃生，只是女儿汤乐儿双眼从此失明。转眼十年过去，时间并未治愈汤氏一家心中的创伤，他们久久沉浸在失去丈夫和父亲的悲痛之中。乐儿（阎青 饰）不愿母亲继续折磨自己，她尝试着将一家人的经历写成小说，而书中的情节和现实截然相反。在小说里，乐儿和母亲、弟弟死于车祸，父亲则活了下来，成为一个由菲佣照顾起居的盲人。父亲相信鬼魂的存在，时刻期盼与妻儿重逢。死去的乐儿在另一个世界当上了小孟婆，她利用手中的职权让母亲和弟弟重新回到父亲身边。汤和妻儿心照不宣地享受着失而复得的幸福生活……乐儿的小说让母亲的脸上绽放出久违的笑容，一家人的生活终于步上正轨，然而一场残酷的灾难不期而至……
主演：玛瑞萨·阿贝拉,杰克·奥康奈尔,莱丝利·曼维尔,埃迪·马森,布隆森·韦伯,安苏·卡比亚,萨姆·布坎南,哈尔莉·伯德,皮埃尔·伯格曼,蒂姆·特洛洛尔,科林·梅斯,迪韦恩·托马斯,克里斯托斯·劳顿,迈克尔·西格尔,玛蒂尔达·索普,博拉吉·凯因德,泰勒·瓦莱丽,瑞安·奥多尔蒂,塞尔玛·鲁比,阿里奥·纳哈万迪
导演：萨姆·泰勒·约翰逊
简介：艾米·怀恩豪斯的生活和音乐，通过青春期到成年的旅程，以及我们这个时代最畅销的专辑之一的创作。《黯然》讲述了艾米·怀恩豪斯（Amy Winehouse）的非凡故事，是对 21 世纪最具代表性、最令人怀念的本土明星的赞颂。《黯然》生动、活泼地描绘了她的家乡卡姆登（Camden）街道，捕捉了她在全球声名鹊起时的挣扎，在赞扬艾米的艺术才华、机智和诚实的同时，也试图了解她的心魔。这是对现代名人机器的不留情面的审视，也是对一代才女的有力致敬。
主演：安娜·马尼亚尼,沃特·奇亚里,Tina,Apicella,加斯托内·伦泽利,泰克拉·斯卡拉诺,洛拉·布拉奇尼,阿尔图罗·布拉加利亚,诺拉·里奇,Vittorina,Benvenuti,琳达·西尼,Teresa,Battaggi,Gisella,Monaldi,Amalia,Pellegrini,Luciana,Ricci,Giuseppina,Arena,Liliana,Mancini,阿历山德罗·布拉塞蒂,Vittorio,Musy,Glori,马里奥·齐亚里,路易吉·菲利波·达米科
导演：卢基诺·维斯康蒂
简介：故事发生在20世纪50年代的罗马，一位非常有名的导演打算为自己的新电影招募一名小演员，玛达莱娜（安娜·玛格纳妮 Anna Magnani 饰）得知了此消息决定带自己的女儿玛利亚（Tina Apicella 饰）前去试镜。玛达莱娜一家人的经济条件非常的拮据，因此她将这次试镜视作是一次能够让全家人飞黄腾达的难能可贵的机会。当玛达莱娜得知演员需要在片中跳舞后，又煞费苦心的将玛利亚送进了舞蹈学校学习。她的一连串谜之操作让本就不富裕的家庭雪上加霜。与此同时，玛利亚的心理压力也越来越大，她稚嫩的小脸上逐渐失去了笑容。
主演：佐藤浩市,本木雅弘,根津甚八,椎名桔平,竹中直人,北野武,木村一八,岩松了,川上麻衣子,栗山千明,永岛映子,永岛敏行,鹤见辰吾,津田宽治
导演：石井隆
简介：泡沫经济的崩溃，使原本经营迪斯科一帆风顺的万代树木彦（佐藤浩市 饰）欠下黑帮大越组巨额债务。很快万代和受气包小职员萩原（竹中直人 饰）、美型男妓三屋（本木雅弘 饰）走到一起，三人一拍即合，策划抢夺大越组的巨额资金。不久，大越组不成气候的小弟吉米（椎名桔平 饰）和前警察冰 头（根津甚八 饰）亦加入进来，五人组正式结成。万代等人成功洗劫了大越组，然而大越组很快发现吉米泰国籍女友的护照一同丢失，于是顺藤摸瓜查出抢劫者身份，随后雇用冷血杀手京谷一郎（北野武 饰），对他们展开残酷狩猎……
主演：吴彦祖,尹子维,连凯,陈子聪,谷祖琳,张学友,黄贯中,恭硕良,杨千嬅,谢霆锋,莫文蔚,卢巧音,房祖名,冯德伦,成龙,何超仪,李尚义
导演：吴彦祖
简介：吴彦祖、连凯、尹子维、陈子聪成立了一个名叫Alive的乐团，准备在乐坛创出自己的一片天地。然而，他们在访谈中收获了前辈极为尖锐的真知灼见：张学友坦言，技术包装害了唱片业，很多资质差的歌手也在浑水摸鱼；黄贯中表示，踏实创作的人越来越少；谢霆锋直言，唱片公司并不尊重歌手的意见；卢巧音暗讽狗仔队总是无理取闹……总之，很多人都一针见血地指出了乐坛的症结所在。事实也证明alive乐队的成长之路荆棘密布，先是主打歌曲被盗，在网上免费下载，其次是媒体总是挖空心思找他们的绯闻炒作，第三是公司对他们的包装越来越一厢情愿，第四是学舞不精，彩排偷懒，演唱会忘词等糗事，显然这支乐队距离他们的梦想越来越远……吴彦祖凭借此片拿下香港电影金像奖新晋导演奖。
主演：松重丰,向井理,渡边一计,绪方义博,余贵美子
导演：井川尊史
简介：受老朋友岸本所托，井之头五郎（松重丰 饰）奔赴仙台，在完成工作洽谈后，来到当地一家小餐馆，品尝了牛舌套餐和烤牛尾。五郎叔大快朵颐，幸福满满。在此之后，他的脚步来到石卷市。出了车站，他站在3•11遗址深深聚了一躬，随后租了一辆秀密轻巧的轻卡，驱车来到女川町，和当地的负责人（向井理 饰）洽谈地方振兴活动中所需要的商品。工作顺利完成，而吃货五郎叔也感到肚子饿了，几经周转他终于找到一家开在山道上的海鲜饭店，并且在五色海鲜盖饭和星鳗天妇罗的夹攻下享受了快乐的午餐时间。东北三陆的美食，给五郎叔留下了深刻的印象。而曾经遭受震灾和海啸的地区，似乎也正恢复往日的活力……
主演：马克桑斯·达奈-弗伟尔,鲁伯特·韦恩-詹姆斯,萨比恩·克洛森,Anaïs,D'Alyciade,Jean-Michel,Dubreuil,Agatha,Maksimova,Louise,Molinaro,Anaïs,Parello,Eléonore,Sarrazin,Axel,Baille
导演：乔里斯·福肯·格里莫德
简介：The House of Gaunt - Lord Voldemort Origins is a short film directed by Joris FAUCON GRIMAUD about Voldemort origins.The House of Gaunt is an unofficial short film who tells about the Voldemort origins, inspired by the Harry Potter universe from J.K. Rowling's book « Harry Potter and the Half-Blood Prince ». It is freely adapted for the screen and directed by Joris FAUCON GRIMAUD. This is a non-profit movie production that is unaffiliated andor controlled by Warner Bros.Made by fans for fans.
主演：迈克尔·恩奎斯特,弗里达·霍尔格伦,海伦·修荷姆,,伦纳特·杰凯尔,英格拉·奥尔森,尼克拉斯·福尔克,皮尔·姆贝格,伊娃·卢夫,安德烈·舍贝里,米卡尔·拉姆,芭布萝·寇勒贝,阿克塞拉·阿克塞尔,拉塞·彼得森,乌拉-布里特·诺曼-奥尔森,米尔卡·克里森,克里斯蒂娜·托维斯
导演：凯·波拉克
简介：丹尼尔（迈克尔·恩奎斯特 Michael Nyqvist 饰）是一名指挥家，专业技能出色的他在全世界范围内享有着极高的声誉，随着时间的流逝，他的身体渐渐的开始无法支撑他对音乐的热情，一次突然来袭的心脏病迫使他永远的告别了舞台。为了养病，丹尼尔回到了久违的家乡，在那里，他成为了教堂唱诗班的指挥。工作上的停顿让丹尼尔十分沮丧，但在风景如画的家乡里，他找到了新的人生意义。同时，对于村民们来说，丹尼尔的到来和他所带来的对于音乐的热情和执着，也让这个平静的小镇熠熠生辉。该片于2005年提名了第77届奥斯卡金像奖的最佳外语片，这也是瑞典影片第14次以奥斯卡提名片的身份出现在人们的眼前。
主演：王长虹,柏青,赵毅维
导演：崔守杰
简介：出品单位 格格府（天津）影视文化发展不愿意麻烦儿女的老母亲只得自己流落街头，这时，老大不慎从山上摔了下来，就在他正为钱发愁的时侯，却被告知医药费已经有人付过了，夫妻二人面面相觑，但不久，此事也不了了之。一日，崔大喇叭遇到了要饭的老母亲，就好心的把他接回了家，最后在老母亲生命的弥留之际，子女们才通过崔大喇叭知道了事情的真相，原来古董是真的，母亲卖了古董给老大交的手术费，并且还给他们留下了遗产，子女们为自己所做的一切后悔莫急。但是“子欲养而亲不待啊，世上唯有孝顺不可等待，趁父母还在”。但是一切都已经无法挽回，最后，老人在孩子们面前微笑着离开了人间……
主演：约瑟夫·费因斯,黛安·克鲁格,丹尼斯·海斯伯特,Patrick,Lyster
导演：比尔·奥古斯特
简介：故事发生在1968年的南非，严格残酷的种族隔离制度让在那里生活着的两千五百万黑人面临着悲惨的命运。为了维护种族的权利，一部分黑人们奋起反抗，但等待着他们的结局不是驱逐出境就是被关押在罗宾岛监狱之中。\r詹姆斯（约瑟夫·费因斯JosephFiennes饰）就出生在这样恶劣的局势之中，幸运的是，他是一位不折不扣的白人。从小大人们就向詹姆斯灌输着“黑人低人一等”的荒谬概念，成年之后，已然完全被洗脑的詹姆斯成为了罗宾岛监狱的一名看守，而他所看管的囚犯正是南非的民主斗士曼德拉（丹尼斯·海斯伯特DennisHaysbert饰）。随着时间的推移，对黑人们越来越了解的詹姆斯开始对自己的所作所为产生了质疑——难道白人就真的可以这样理所当然的囚禁和侮辱自己的同胞吗？